Used Allen Encore Head
Used Allen Amplification Encore HeadCondition: Mint, shows little to no wear. This amplifier was recently professionally serviced and was built by Allen Amplification.
Output Power: 35W w/6L6s and 5AR4. Optional 22W w/6V6s and 5U4G.
Tube Compliment: (1) 5AR4, (2) 6L6s and (5) 12AX7s (or 5U4G with 2 6V6s).
Class: AB push-pull with adjustable fixed bias.
Equalization: Bass, Treble and Midrange controls, BRIGHT switch and RAW control.
Reverb: All-tube, long 3-spring medium-delay tank in a heavy vinyl reverb bag with MIX and TONE controls, shielded cables.
Master Volume: Post-driver using dual potentiometer and (4) coupling capacitors.
Chassis: Stainless-steel angled-front chassis with welded corners.
Potentiometers: Full-size (15/16") chassis-mount with 3/8" bushing, solid metal shaft, damped action.
Circuitry: Hand-wired point-to-point with tinned solid-core PVC wiring, G-10 glass epoxy circuit board with brass eyelets. Carbon film resistors, Mallory M150 and CDM silver mica tone capacitors, Switchcraft jacks, Carling switches, and U.S. made molded type sockets.
Transformers: Cool and quiet running Allen TP40 200ma power transformer, TO35MT paper bobbin interleaved winding output transformer, TR reverb transformer and TRCH choke are all U.S. made. Optional TO40MT upgrade output transformer for more clean bottom end performance. See TRANSFORMERS Page for details.
Topology: Design is loosely based on the mid 60s Fender Vibrolux Reverb™ but without a normal channel. Design is enhanced with 2-knob reverb, non-opticoupler tube tremolo, master volume control, middle control, RAW control, rear-panel bias measurment jacks, impedance switch, and front-panel power switches.
Cabinet: Finger-jointed pine cabinet with black Tolex
Special Features: Brown-era tube tremolo, impedance switch, unique RAW mid/gain boost control, front-panel power switches, master volume, and conveninent rear-panel bias measurment jacks.
Output Power: 35W w/6L6s and 5AR4. Optional 22W w/6V6s and 5U4G.
Tube Compliment: (1) 5AR4, (2) 6L6s and (5) 12AX7s (or 5U4G with 2 6V6s).
Class: AB push-pull with adjustable fixed bias.
Equalization: Bass, Treble and Midrange controls, BRIGHT switch and RAW control.
Reverb: All-tube, long 3-spring medium-delay tank in a heavy vinyl reverb bag with MIX and TONE controls, shielded cables.
Master Volume: Post-driver using dual potentiometer and (4) coupling capacitors.
Chassis: Stainless-steel angled-front chassis with welded corners.
Potentiometers: Full-size (15/16") chassis-mount with 3/8" bushing, solid metal shaft, damped action.
Circuitry: Hand-wired point-to-point with tinned solid-core PVC wiring, G-10 glass epoxy circuit board with brass eyelets. Carbon film resistors, Mallory M150 and CDM silver mica tone capacitors, Switchcraft jacks, Carling switches, and U.S. made molded type sockets.
Transformers: Cool and quiet running Allen TP40 200ma power transformer, TO35MT paper bobbin interleaved winding output transformer, TR reverb transformer and TRCH choke are all U.S. made. Optional TO40MT upgrade output transformer for more clean bottom end performance. See TRANSFORMERS Page for details.
Topology: Design is loosely based on the mid 60s Fender Vibrolux Reverb™ but without a normal channel. Design is enhanced with 2-knob reverb, non-opticoupler tube tremolo, master volume control, middle control, RAW control, rear-panel bias measurment jacks, impedance switch, and front-panel power switches.
Cabinet: Finger-jointed pine cabinet with black Tolex
Special Features: Brown-era tube tremolo, impedance switch, unique RAW mid/gain boost control, front-panel power switches, master volume, and conveninent rear-panel bias measurment jacks.
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Thank you all for your understanding and cooperation!